Wednesday, September 28, 2011
Lidless
Danielle Skraastad is really a U.S. soldier at Guantanamo Bay forced to handle the aftermath of her interrogation of Laith Nakli in Lidless.
An exhibition by Page 73 Productions of the play in a single act by Frances Ya-Chu Cowhig. Directed by Tea Alagic. Set, Scott Bradley costumes, Jessica Pabst lighting, Tyler Micoleau seem & original music, Daniel Kluger production stage manager, Shayna O'Neill. Opened up Sept. 28, 2011. Examined Sept. 27. Running time: one hour, 30 MIN.Rhiannon - Emma Galvin
Riva/Zakiyah - Maha Chehlaoui
Alice - Danielle Skraastad
Lucas - Thom Rivera
Bashir - Laith NakliWriting political drama is really a dirty job, but somebody's got to get it done. Frances Ya-Chu Cowhig, a newcomer scribe with beaucoup awards and commissions already notched on her behalf belt, occupies that issue with "Lidless." After opening having a brutal scene of mental torture inside a Guantanamo Bay military prison, play fast-forwards to some future time once the female tormentor and her male victim meet again. Message concerning the lasting results of torture comes through noisy and obvious but possibly due to its presentational production style, the play is much more intellectually jolting than psychologically moving. Directorial approach taken by helmer Tea Alagic is disorienting by design, obtaining around the play's split time period and fragmentary character. Blocky set pieces (by Scott Bradley), colored whitened and spread at uneven times, allow the act of one scene to bleed out in to the next. The jumpy cues of Tyler Micoleau's lighting design, which alternately ton and blackout moments without determining them, are another mind trip. The shifting focus is really a blessing, because of the brutality of occasions at Gitmo, in which a gung ho American soldier named Alice (performed with harrowing enthusiasm and leather lung area by Danielle Skraastad) is methodically wearing down a detainee. Getting caused enough physical discomfort on the Pakistani prisoner named Bashir (a riveting perf from Laith Nakli) to result in her friend and fellow soldier Riva (Maha Chehlaoui, a welcome breath of humanity) to call her onto it, Alice switches to an alternative Washington-approved strategy known as "Invasion of Space with a Female." After gulping lower enough pills to desensitize herself as to the she's doing, Alice surrenders herself towards the erotic connection with sadistically driving this devout Muslim guy mad with desire. 15 years in the future, in your own home in Minnesota, Alice is honoring her 40th birthday together with her spineless husband Lucas (Thom Rivera, making the very best of it), her frighteningly wise and sensitive 14-year-old daughter, Rhiannon (a amazing perf from Emma Galvin), and her still-best-friend Riva, a team within the military and today a surgeon. Although Rhiannon keeps pestering her mother to discuss her military experience, Alice firmly resists -- before day that Bashir walks into her online florist and confronts her together with her past. His first demand -- "Remember me" -- only atmosphere Alice, that has blocked out all reminiscences from the savage person she was previously. His next demand will awaken individuals reminiscences and shatter her world. The prismatic style of Alagic's direction projects layer upon layer of mystery to disguise what's basically a melodramatic plot. Even though the surreal production style does not get when it comes to the moral issues elevated within the play, it will discourage the most intellectually involved audience from getting a psychological a reaction to them. Contact the range newsroom at news@variety.com
Friday, September 23, 2011
Watercooler: Why, Whitney, Why?
Whitney Maybe you have desired to love someone, but everything they are doing turns you off? Meet Whitney. Usually, Whitney Cummings is really a total scream. Her focus on the Comedy Central roasts is definitely insanely bawdy. She executive produces the steadily entertaining 2 Broke Women. And she's hot, in the event that's what you are into. But her eponymous sitcom, which she also executive produces and released last evening? Yikes. Ironically, for any show dedicated to a sassy mouthed digital photographer, the whole experience is jarringly artless. Shrill to the stage of infuriating, equipped with an assaultive laugh track and packed with clichés (are we able to please euthanize the "boozy, bitter woman friend" concept immediately?), the couple of laughs that did land with no thud were surely cribbed from Cummings' stand-up programs. The relaxation - mostly fatigued gags about Kardashians, Cosmo magazine as well as an excessively lengthy seduction bit that went limp way before i was exposed for an awkwardly emotional dénouement - would be a harsh indication from the talent being wasted before our very eyes. What might have been a different one of NBC's great, problematic, relatable female figures, a la Liz Lemon or Sophistication Adler, felt a lot more like the kind of harpy individuals two would find offensive. It is a shame. We like Cummings, and her costar Chris D'Elia has charm to spare. Here's wishing they find better material moving forward therefore we can all forget this badness happened to such good entertainers. Have you take a look at Whitney? What have you think? Sign up for TV Guide Magazine now!
Sunday, September 18, 2011
TV tacks in new direction
'Crematorium'Over this years-11 season, Spain's entry into original series production continues to be among the greatest steps forward for local TV inside a decade.To begin with, Paybox Canal Plus plowed into quality TV fiction production with two skeins: David Trueba's black comedy series "Que fue p Jorge Sanz?" and Jorge Sanchez Cabezudo's withering social portrait of contemporary The country, "Crematorium."Turner's TNT bowed Mariano Barroso's edgy series "Todas las mujeres" last October. And also, since June, TNT continues to be airing "Adult Go swimming Produced in The country."Fox Intl. Channels The country co-created "Mentes en Shock" with Fox Latin America, a The spanish language redo of U.S. drama "Mental," which released in April.Such moves have elevated the bar for local fiction series. They have been with excitement received by The spanish language testers, who recognized the creative liberties of recent pay TV productions in marked contrast towards the frequently-careful productions of The spanish language free-to-air market.In comparison towards the relaxation of The European Union, The spanish language pay TV includes a limited impact, given its low 30% transmission, the new skeins surpassed funnel anticipation, reinforcing brand identity.Operating in The country since 1990, Canal Plus has typically driven subs via its movie and soccer choices. Now it's exploring new territory."It is extremely vital that you conserve a lengthy-term production technique for this to create sense," states Canal Plus director Miguel Salvat. "It's essential for future years in our brand."An uncommon-for-The country, nearly half-hour six-seg comedy, "Que fue" pictures real-existence The spanish language thesp Jorge Sanz's pathetic tries to reboot a allegedly flagging career, assisted by his unflaggingly positive tyro agent. Each episode is really a litany of disappointments.Treading a little difference between fiction and reality, "Que fue" was allocated around 100,000 ($144,000) per episode and shot with only one HD camera. "Canal Plus urged us to respect the initial idea. The truth that the funnel wanted to behave different would be a large boost for all of us,Inch Trueba states.Both "Que fue" and "Crematorium" illustrate a talent increase from cinema into TV production. Like Trueba and Barroso, Sanchez-Cabezudo made his title like a feature film director.Occur the imaginary Mediterranean capital of scotland - Misent, "Crematorium" informs the storyline of the property developer (The spanish language actor Jose Sancho), who amasses a lot of money by greasing local politicos' palms.Unlike previous The spanish language TV series, "Crematorium" was shot almost mainly on location, using two production models, and, further aiding its theatrical feel, a 4k digital image, taking the Mediterranean's colors and lightweight.Additionally, it goodies some delicate issues -- sex, corruption -- with unusual candor."The series was created improving exactly what the story needed, without conditioning factors," states producer Fernando Bovaira, founding father of Mod Prods. It cost around $720,000 per 50-minute episode -- around the greater finish for any The spanish language drama.Cinemax Latin America has acquired "Crematorium" for any 2012 broadcast slot on its premium TV service. Offered by Vicente Canales's Barcelona-based sales company Film Factory Entertainment, the series has additionally been bought for Scandinavia by NonStop and Vapet in Czech Republic. Imagina/Televisa-controlled web LaSexta has had The spanish language free-to-air TV privileges. "The worldwide marketplace is showing an essential method to recoup investment," Bovaira states. "But moving forward, we ought to explore new methods for working together on projects with European and Latin American tv stations."Recoupment is a factor. Getting into fiction, many pay TV gamers are earning important from necessity since Spain's General Audiovisual Law, approved this year, obliges private-sector systems to get a minimum of 2% of the annual revenues in TV series, minis or docus.Original series may also produce a greater empathy with local audience, that is what we are searching for, states Pablo Vinuales, mind of programming for Fox Intl. Channels The country.Co-production also enables Fox to gain access to exclusive dramas, and then sell the privileges."Generally, The spanish language TV series possess a great future in marketplaces like the Hispanic U.S. and Latin America, even though some plans have only The spanish language market potential," states Turner The country gm Domingo Corral.Joining with Barcelona-based outfit El Terrat, TNT is creating sitcom "Zombies," toplining The spanish language TV showman Berto Romero. TNT also plans to make a one-hour TV drama, Corral states."Local series productions will occupy a bigger space within our schedule, but without sidelining remarkable current U.S. fiction," states Corral, while Bovaira notes that "The country needs distinctive, innovative pay TV production, that is edgier and more personal than free-to-air TV production." In creating it, Spain's pay TV operators make an encouraging start. WORLD REPORT: SPAINPlay for that match TV tacks in new direction Fest Traveler: San SebastianRookie bow scores large Genre fare reborn under Rebordinos How you can Shoot in SpainFair-weather filmmaking Studio aims for parity with Euro rivals Key gamers Contact the range newsroom at news@variety.com
Friday, September 16, 2011
The Amazing Race Launches Branded Foursquare Page
Phil Keoghan Forget Detours and Roadblocks: The Amazing Race is teaming up with with social network foursquare to debut a new online destination for all your globetrotting needs. Smartphone users can check into the Amazing Race branded foursquare page (https://foursquare.com/amazingrace_cbs) to receive travel advice and show trivia, including exclusive tips from the most recently eliminated duo."I've been fortunate to travel all over the world throughout my career to some truly magnificent locations, both abroad and here in the states," said Race host Phil Keoghan in a statement."And part of the excitement that comes with traveling to new places is being able to share those experiences with our fans."Keoghan also offers his own travel tips on the foursquare page through exclusive videos, including how to pack and where to go when visiting the world's hottest destinations. The page's content will be updated weekly throughout the season.The new season of The Amazing Race premieres Sunday, September 25 at 8pm/ET on CBS.Subscribe to TV Guide Magazine now!Transformers 3 Dark Of The Moon Watch Online
'The Voice' Winner Javier Colon to Play Ray Charles in 'The Playboy Club'
Add the winner of NBC's The Voice to the list of contemporary musical acts portraying stars of the late 1950s and early '60s on NBC's The Playboy Club. Javier Colon will portray Ray Charles in an upcoming episode of The Playboy Club, singing "Let the Good Times Roll." His appearance will follow Raphael Saadiq's portrayalof Sam Cooke singing "We're Having a Party" and Colbie Caillat playing Lesley Gore performing "It's My Party." The show, set in 1963 in Chicago, is working on finding singers to portray James Brown and Roy Orbison in upcoming episodes; Frank Sinatra is another future target. "They're trying to stunt cast every episode and have fun with it," says Geoff Bywater, senior VP of music for Twentieth Television, the unit of Fox that produces the show for NBC. "We have our eyes on stars who would be fun to cast." In the pilot, which airs Sept. 19, Karen Le Blanc portrays Tina Turner as she, Ike and the Ikettes tear through "Shake a Tail Feather" and "Tina's Wish." The Los Angeles-based production team the Transcenders is producing the tracks for the show while singer Richard Marx is working as a vocal producer in Chicago where the show is shot. In the near future, songs recorded for the show will be posted for sale on iTunes on Fridays prior to the Monday broadcast. Playboy Club stars Laura Benanti, Leah Renee and Naturi Naughton who sing on the show and their songs will also be made available for download. "One of the things we learned from Glee is that if you don't make the music available immediately the consumer gets frustrated -- or looks for it for free," Bywater said. "Once the show gains traction, we'll be looking at a Playboy Club soundtrack. That will be down the road." Related Topics The Voice The Playboy Club
Tuesday, September 13, 2011
TOLDJA! Raymond Wu & Mark Kaufman Atop Revamped Warner Bros Theatre Ventures
BREAKING: Gregg Maday Out In Shakeup At Warner Bros Theatre Ventures (September 13, 2011 Burbank, CA)Barry Meyer, Chairman & CEO, Warner Bros., today announced a reorganization of Warner Bros. Theatre Ventures, with Mark Kaufman and Raymond Wu sharing the position of Executive Vice President, Warner Bros. Theatre Ventures, the Studios live theater production operation. Kaufman, who will be based in New York, and Wu, who will be based in Burbank, will both report to Alan Horn, who is overseeing the division in his consulting role for the Studio, reporting to Meyer. Its great to have Alans creative instincts and insight available to Theatre Ventures, with Ray and Mark bringing a terrific combination of experience and proven hit-making talent to our team, said Meyer. With this new leadership structure, we can make the most of the myriad opportunities available to Theatre Ventures and take its operations to the next level. Wu has been with Warner Bros. Theatre Ventures since 2005 and previously served as Senior Vice President of Development and Head of Operations. He was one of the lead producers of the divisions holiday Broadway musical hit Elf, which broke box office records five of the nine weeks of its limited engagement in 2010-2011. Before joining Warner Bros., Wu was with Disney Theatricals, producers of the stage hits The Lion King and Beauty and the Beast. Kaufman joins Warner Bros. Theatre Ventures from Unique Features. Kaufman supervised and oversaw the Broadway production of the Tony Award-winning musical Hairspray as well as the Tony-nominated musical The Wedding Singer on behalf of New Line Cinema, and was also one of the lead producers of the stage production of Elf. Additionally, during his 16 years at New Line Cinema, Kaufman oversaw such films as Secondhand Lions, Take the Lead and Hairspray. He also served as executive producer on the hit comedies Four Christmases and 17 Again, as well as My Sisters Keeper, and as associate producer on Valentines Day. Warner Bros. Theatre Ventures is the live stage play division of Warner Bros. Entertainment and responsible for developing and producing musicals and other stage productions for the Studio. The division currently has various projects in development, including co-productions with award-winning Broadway, film and television producers. Among these are an adaptation of Charlie and the Chocolate Factory, which will be directed by Sam Mendes, acclaimed film and stage veteran. Charlie is planned to open in 2013 in the United Kingdom. Warner Bros. Theatre Ventures is also responsible for maintaining and licensing the stage rights to the various properties within the Studios vast media library, including The Wizard of Oz, The Color Purple and 42nd Street.Watch Movies Free
Monday, September 12, 2011
Twixt
A U . s . States Zoetrope production. (Worldwide sales: Pathe Intl., Paris.) Produced by Francis Ford Coppola. Executive producers, Anahid Nazarian, Fred Roos. Directed, put together by Francis Ford Coppola.Hall Baltimore - Val Kilmer Bobby LaGrange - Bruce Dern V - Elle Fanning Edgar Allan Poe - Ben Chaplin Denise - Joanne Whalley Mike - David Paymer Pastor Allan Floyd - Anthony Fusco Flamingo - Alden Ehrenreich Arbus - Bruce A. Miroglio Melvin - Don Novello Ruth - Lisa Biales Narrator - Tom WaitsOne hopes "Twixt" doesn't finish up being Francis Ford Coppola's swan song -- though whether or not this does, this disarmingly cheeky, from time to time gorgeous trifle would produce an ideal bookend with a career begun almost fifty years ago while using Roger Corman-produced schlocker "Dementia 13." Falling somewhere betwixt might "Evening amount of time in Paris," Coppola's comic thriller follows an unpredicted emergency witchcraft novelist (Val Kilmer) whose wants Edgar Allan Poe (Ben Chaplin) provide you with the grist for just about any modest commercial resurrection. Toying with semi-autobiography, Coppola themselves slouches toward industry along with his gimmicky usage of 3d by 50 percent moments, although wide distribution of "Twixt" appears unlikely. At this time around within the extended, from time to time illustrious career, Coppola has acquired the legal right to do what he likes, which lately has brought towards the half way decent experimental (and self-funded) "Youth Without Youth" and "Tetro." "Twixt" is clearly from the piece with people two, climax a lot more accessible, due to its horror-film trappings and exceedingly simple narrative. Easily the pic's most effective element, otherwise its very cause of being, is its number of surreal dream sequences, whose lush black-and-white-colored with splashes of twinkling color recall early hands-colored cinema, additionally to Coppola's own "Rumble Sea food." Presented to booze-fueled dreams undertaking an especially humiliating book-tour go to a little-town home improvement center, flailing author Hall Baltimore (Kilmer) imagines a woodsy encounter with spooky 12-year-old Virginia (Elle Fanning), who may be the ghost of one of the dozen-odd kids wiped out way back when and hidden beneath the local hotel where Poe once infamously continued to be. In Hall's next dream, Poe themselves seems, meting out writerly advice additionally to some of sparse particulars in regards to the killings. Flames burn yellow throughout these mostly monochromatic moments, while curtains and stained-glass home home windows -- and blood stream, clearly -- possess a hypnotic red-colored-colored glow. Within the comparatively dull waking existence, properly produced by Coppola and d.p. Milhai Malaimare Junior. as something from the TV detective movie in early '70s, Hall trades insults along with his frustrated wife (Joanne Whalley) via Skype and book ideas while using town's aspirant author, Sheriff Bobby LaGrange (a frizzy-haired and hammy Bruce Dern). Sooner or later LaGrange breaks out a Ouija board in the nutty bid to discover the identity in the decades-old killer, who may also be responsible for the corpse that's lounging getting a stake through its heart inside the sheriff's backroom morgue. The initial in the pic's two five-minute 3d sequences arrives approximately one hour in (signaled, in B-movie huckster style, with some stereoscopic glasses flying into the frame), as Hall wants climbing the town's bell tower while children shriek, "Include us, Father!" Since the film winds circuitously through its final half-hour, Coppola allows Hall's uncertainty over the best way to conclude his work to mirror the director's own third-act dilemma. By telephone, the novelist's editor (David Paymer) takes a "great twist ending, with many different heart" -- a formula satisfied, carrying out a fashion (too as with 3d), by "Twixt" itself. No matter the finale's apparent link with Coppola's tragic insufficient his boy Gio (acknowledged ultimately credits as "creative connect"), "Twixt" registers just like a refreshingly loose in addition to silly work in the major filmmaker within nov his oeuvre. In addition, the pic comes closer in comparison to ill-fated "One Out Of one's heartInch for the director's extended-pointed out ideal of iconoclastic genre filmmaking in the controlled, studio-free atmosphere. Mainly within the dream moments, you will find the sense that Coppola, secure within the legacy, would rather push for self-reflexive humor and numerous haunting images in comparison to a different hard-fought against against masterpiece. The film's bevy of in-jokes includes Kilmer's enjoyably absurd impersonation of Marlon Brando in "Apocalypse Now," plus a throwaway reference to the that classic film's usage of "The Conclusion,Inch sang by Jim Morrison (whom Kilmer carried out in "The Entrance doors"). If lots of "Twixt" is one thing from the goof, it's the one that generously enables the viewer within the gag.Camera (color/B&W, 3dOrsecond), Milhai Malaimare Junior. editor, Robert Schafer music, Osvaldo Golijov, Serta Deacon art director, Jimmy DiMarcellis costume designer, Marjorie Bowers appear (Dolby Digital), Richard Beggs supervisory appear editor, Erection dysfunction Callahan re-recording mixers, Angie Yesson, Beggs, Sin Cohen visual effects supervisor, Viktor Muller visual effects, VPP stunt coordinator, Tom DeWier connect producers, Masa Tsuyuki, Josh Griffith assistant director, Gregory Kent Simmons. Examined at Toronto Film Festival (Special Presentations), Sept. 11, 2011. Running time: 88 MIN. Contact the number newsroom at news@variety.com
Saturday, September 10, 2011
Diverse Web Series Evolves Through Social Media
WASHINGTON (AP) After growing frustrated with watching stereotypes of people of color on the watch's screen, Issa Rae created her own vision of reality with "The Mis-Adventures of Awkward Black Girl."The Internet-based show follows J, carried out by Rae, and her occurrences and accomplishments in work and love."The Internet series came to exist because I really didn't see anybody at all like me on the watch's screen, nobody that we could interact with,In . mentioned Rae, the show's producer, author and director. "There's a multitude of limited archetypes for black women particularly, and basically people of color generally, which is frustrating to look into the screen and merely be capable of interact with people like Tina Fey or Amy Poehler, people that do not appear much like me.InchSimply because the series first released online in February, the debut episode has brought greater than 240,000 hits. Subsequent episodes have acquired greater than 100,000 hits and 1,000 viewer comments. Nearly 17,000 people are devoted for the show's Facebook page. Rae mentioned she and co-producer Tracy Oliver are packaging "Awkward Black Girl" just like a half-hour comedy to promote with a cable network, but they're strongly thinking about keeping it on the web to create everyone else and more effective reference to audiences."Social networks are precisely what made the show honestly," Rae mentioned. "Been there not been for social media, this show just wouldn't are actually how it is today. I possibly could not did this 10 years ago."Susan Fales-Hill, who produced and written for your extended-running NBC sitcom "Another World," referred to as Rae's work fresh, incisive, and non-stereotypical."She's showing an educated, African-American lady leading a built-around together with an expert lady with pals of several different nationalities and abilities, and basically trying to create her way," Fales-Hill mentioned.She mentioned Rae's guerrilla approach to TV making is brilliant plus an inspiration to veterans on the market like her."The majority of us emerged throughout an occasion when there's a studio system, more jobs and you also emerged using the ranks," Fales-Hill mentioned. "So for people, it's a culture shock. ... I have thought it was very liberating they has created her own show. She's certainly making the majority of us consider how you is capable of doing things and the way much more aggressive you ought to be.InchRae, 26, born Jo-Issa Rae Diop, created the concept for your show couple of years ago throughout a public theater fellowship in New You'll be able to. A La native, she would never know anybody in New You'll be able to, which provided many awkward encounters. After returning for the West Coast, Rae collected a few pals to help her begin shooting the series along with her own cameras within the month of the month of january."I understood essentially didn't shoot it myself it absolutely was not likely to have finished,In . mentioned Rae, who attended Stanford College as well as the New You'll be able to Film Academy in La.Rae employed her friend Andrew Allan James to star just like a, her annoying co-worker and admirer. The diverse cast now includes J's nearest friend CeCe, an Indian-American, carried out by Sujata Day, and her love interests White-colored J, carried out by Lyman Manley, and Fred, an African-American, carried out by Madison T. Shockley III."Diversity is important for the series simply since it is available throughout my existence," Rae mentioned. "In solid existence, I really do happen to experience a Bengali-American nearest friend."Since the show's number of fans is ongoing to develop, so features its own production. By episode four, Oliver, who plays J's co-worker and rival Nina, grew to become an associate of in just like a producer and aided pull together an entire crew for your show. The episodes elevated from four minutes to12.After episode six, Rae and Oliver, former Stanford childhood friends, recognized they may forget about have the ability to fund the series. Rae, about the temp salary, mentioned she couldn't cover the 12-hour-day shoots and production costs.The Two had received a couple of emails from people offering to provide for the show, to ensure that they made a decision to start the state campaign for audiences to provide using the online fundraising event platform Kickstarter.com. With the finish of the very first day, Rae mentioned the show had received $4,000."It absolutely was just overwhelming," she mentioned. "We just understood that individuals had something on our hands which individuals really supported our project which only decided to be very touching."After of a month, the show had greater than $56,000 from nearly 2,000 contributor.Since "Awkward Black Girl" launched, Rae has signed with United states . Talent Agency and three Arts Entertainment. She hopes her success can lead to more options for unprivileged to see their tales."It sends an email to mainstream media that individuals don't have to have these white-colored males and ladies leads for everybody for connecting together,Inch Rae mentioned. "It's type of unfair to think about that, so Hopefully this show influences future casting options just based off what we've been in a position to perform up to now. "Copyright 2011 Connected Press. All rights reserved. These elements is probably not launched, broadcast, rewritten, or redistributed. Watch Transformers 3 Free
Friday, September 9, 2011
Disney Makes Distribution President Robert Chapek New Consumer Products Boss
BURBANK, Calif. The Walt Disney Company President and CEO Robert A. Iger announced today Robert Chapek, President of Distribution for The Walt Disney Studios, has been promoted to President of Disney Consumer Products, reporting to Iger. With this announcement, Chapek will oversee a newly formed companywide consumer products organization, which will consolidate retail and licensing across Disneys lines of business including Walt Disney Studios, Pixar, Marvel, Media Networks, Interactive Media and Consumer Products. Bobs vast experience, talent and proven track record will be key to implementing a consolidated approach to retail resulting in a more efficient and effective organization, said Mr. Iger. As the retail market becomes more centralized, it is important to provide the consumer with an array of choices in a seamless, coordinated way. Chapek said, Im excited about the opportunity to lead our newly expanded team and to grow our brands, franchises and movie properties in the fast-changing retail and licensing marketplace. In support of the new mission of cross-company retail integration, Alan Bergman, President of the Walt Disney Studios, will assume Chapeks former responsibilities of theatrical and TV platform distribution of studio movies. Since November 2009, Chapek has led The Walt Disney Studios distribution, developing strategy and overseeing the delivery of all motion pictures and television content, across the theatrical exhibition, home entertainment, pay TV, digital formats, and other new media. Chapek has been visionary on technological issues, and oversees the development of various new technologies including next generation high-definition Blu-ray Disc, in home 3D solutions, and interoperability solutions such as KeyChest and digital distribution. In his previous role as president of Walt Disney Studios Home Entertainment, Chapek led the organization to record-setting performances on numerous movie titles. He has played a key role in the commercialization of Disneys live-action and animated direct-to-video business. Prior to joining Disney, Bob practiced brand management in the packaged goods industry with the H.J. Heinz Company and in the advertising business with J. Walter Thompson. Disney Consumer Products (DCP), the worlds largest licensor, is a business segment of The Walt Disney Company and its affiliates that currently extends the Disney brand to merchandise ranging from apparel, toys and home dcor to books and magazines, foods and beverages, stationery, electronics and animation art. This is accomplished through DCP’s various lines of business which include: Disney Fashion & Home, Disney Food, Health & Beauty and Disney Toys & Social Expressions. Other businesses involved in Disney’s consumer products sales are Disney Publishing Worldwide, the world’s largest publisher of children’s books and magazines and DisneyStore.com and DisneyStore.co.uk, the company’s official shopping portal. The Disney Stores retail chain, which debuted in 1987, is owned and operated by Disney in North America, Europe and Japan. Disney English currently operates 15 English language learning centers in Shanghai and Beijing , China. DCP develops Disney entertainment franchises into 365 day-a-year product opportunities at retailers worldwide. Disney-branded merchandise is inspired by characters from Disney’s beloved animated films and live-action films as well as Disney’s television entertainment, Disney Channel and Disney XD.
Thursday, September 8, 2011
Hot Stuff: 'Bucky Larson' along with other 'Sexy' Boys on Film
You will find lots of movies about sexy ladies. Movies about sexy males -- or males with sexy jobs, a minimum of -- are a little harder to find. This is exactly why it is so surprising to determine two coming: this week's 'Bucky Larson: Born to become a Star' and 'Magic Mike,' that is set hitting theaters the coming year. The second might be a little more desirable towards the ladies compared to former. 'Magic Mike,' in regards to a crew of male strippers, will feature hunky stars Channing Tatum, Alex Pettyfer, Joe Manganiello and Matthew McConaughey. (Finally, a film where it'll make sense for McConaughey to become shirtless!) The flick looks like it's according to Tatum's beginning like a male dancer, but he will not be playing themself. That recognition goes to Pettyfer. (No pressure or anything, playing a dude who's there watching every single move the entire time.) Tatum will apparently be playing a far more seasoned dancer who mentors the new meat. 'Bucky Larson,' however, stars the amusing Nick Swardson ('30 Minutes or Less,' 'Grandma's Boy') being an ambitious porn star with small, um, equipment. Naïve youthful Bucky moves to Hollywood in the Area to follow along with in the parents' actions and pursue work like a porn star. Despite the fact that he's ill-outfitted for this type of career choice, Bucky really does achieve his goal because of his capability to make audiences feel safer regarding their own package dimensions. As the wacky-searching Bucky might not be easy about the eyes, the flick co-stars handsome 'Miami Vice' vet Don Manley as Miles Deep, and hunky bad boy Stephen Dorff as Dick Shadow. Now it's time Swardson was handed a starring role. The seasoned actor is definitely a highlight in whatever he's in, from his role because the object of 'Partridge Family 'matriarch Shirley Jones' affections within the underrated 'Grandma's Boy' to his outlandish turn as Terry the troublemaker on 'Reno 911.' Inside a jerk for this week's debut of 'Bucky Larson' and 'Magic Mike' coming, here is a think back inside my own favorite movies about males who exploit their sexy sides. Oh, behave! (Sorry, Austin Forces -- you simply skipped the cut!) Robert Carlyle and company in 'The Full Monty.' Yes, the steelworkers in 'The Full Monty' certainly had an advantage within the Chippendales, okay. However, I'd need to say it had more related to their spontaneity and camping factor than the truth that they go all off. Also, awesome hats. &ampampampampampampltcenter&ampampampampampampgt Richard Gere in 'American Gigolo.' Before he was the dream john in 'Pretty Lady,' Richard Gere was the dreamy youthful escort in 'American Gigolo.' And today he's a Buddhist. Discuss coming full circle! &ampampampampampltcenter&ampampampampampgt Mark Wahlberg in 'Boogie Nights.' Dirk Diggler certainly did not have a similar problem Bucky faces below the belt. Marky Mark required benefit of his sex symbol status to experience the impressionable youthful Dirk within the most memorable performances of his career. An attractive shout-out ought to be provided to Burt Reynolds' mustache, which certainly upped this flick's sex-ay factor. &ampampampampltcenter&ampampampampgt Andy Dick in 'Old School.' Inside a movie filled with crazy moments, Dick's scene because the fellatio instructor giving a naughty lesson towards the ladies takes the wedding cake. Bananas everywhere, beware! Dick's intentions for that naive fruit are not pure. &ampampampltcenter&ampampampgt Take advantage of Schneider in 'Deuce Bigalow, Male Gigolo.' Hmm, Adam Sandler appears to possess a factor for movies about males with sexy jobs, huh? His company, Happy Madison, gave us Deuce Bigalow lengthy before it folded out 'Bucky Larson.' Not too I am worrying. Hopefully Bucky's new adventures in porn is going to be as enjoyable as Deuce's misguided foray in to the escort business. &ampampltcenter&ampampgt
ABC orders game show 'You Deserve It'
ABC has ordered six episodes of game show "You Deserve It" from Kinetic Content. The international format features contestants playing for other people unaware they will reap the winnings, which are delivered in a segment that closes each episode. "Deserve" was created by Dick de Dijk, who created the "Deal or No Deal" format as well. He will executive produce along with Kinetic's Chris Coelen ("Secret Millionaire"), Matilda Zoltowski ("Dancing with the Stars") and Jeff Krask ("Deal"). Chris Harrison ("The Bachelor") will host the American version. "'You Deserve It' is a uniquely fresh take on the game format which combines addictive game play with an absolutely simple, appealing idea that fits perfectly with the ABC brand," said Coelen, who is Kinetic's CEO. Kinetic serves as U.S. partner to de Dijk via ProSiebenSat.1 Media, which has a stake in the company through subsidiary Red Arrow Entertrainment Group. Distributor SevenOne International has sold the show to numerous territories, including Antena 3 in Spain, MBC in the Middle East and SAT.1 in Germany. ABC hasn't yet determined when "Deserve" will bow. Contact Andrew Wallenstein at andrew.wallenstein@variety.comWatch X-Men: First Class Online Free
Tuesday, September 6, 2011
David Mix to Bother Claire Next Season on Modern Family
David Mix David Mix has signed onto guest-star on Modern Family. The Arrested Development actor will have a town councilman, Duane, who crosses pathways with Claire (Julie Bowen), The Hollywood Reporter reviews. Mix most lately performed would-be uber-activist Dr. Andy Days on Fox's short-resided comedy Running Wilde. Exclusive: It's The holiday season on Modern Family Younger crowd stars in and executive-produces IFC's The Progressively Poor Choices of Todd Margaret. The 3rd season of contemporary Family premieres Wednesday, Sept. 21 on ABC. Watch X-Men: First Class The Movie
Subscribe to:
Comments (Atom)